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C. S. Lewis: Defender of the Faith is unavailable, but you can change that!

C. S. Lewis took up his apologetic pen because he felt that most theologians spoke jargon. “Any fool can write learned language,” he said, “the vernacular is the real test. If you can’t turn your faith into it, then either you don’t understand it or you don’t believe it.” In the infernal correspondence of Screwtape, the haunting myths of his Space Trilogy, and the allegories of Narnia, he brings...

argument. What Lewis says about the character of literary art can be applied to apologetic writings. Literary art, he writes, “both means and is. It is both Logos (something said) and Poiema (something made). As Logos it tells a story, or expresses an emotion, or exhorts or pleads or describes or rebukes or excites laughter. As Poiema, by its aural beauties and also by the balance and contrast and the unified multiplicity of its successive parts, it is an objet d’art, a thing shaped so as to give
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